2 articles about the conference
Here is a link to a podcast with Sabine Kriebel about The Bauhaus with Des Fitzgerald of DublinCity FM’s Artbeat: https://soundcloud.com/dcfm-1032/artbeat-23rd-january-2019
Bauhaus Effects 7, 8, 9th February 2019
National Gallery of Ireland, Dublin
This will be the leading scholarly event in Ireland marking the centennial of the founding of the twentieth-century’s most influential school of art and design.
This event seeks to interrogate what might loosely be termed “Bauhaus effects” – those artistic and teaching practices that move us beyond the usual institutional claims and international enterprises and into geographies, territories and inhabitations of thinking as a practice of resistance.
The conference will assemble an interdisciplinary collection of discussions that analyse the repercussions of the legendary Bauhaus school in the hundred years since its inception, considering a broad range of practices — including material analysis, models of pedagogy, composition, staging, design, and interior systems.
We propose that the Bauhaus was not just a radical art school but in fact initiated a fundamental paradigm shift in culture whose import is ripe for assessment a century on.
Contributions are drawn from a wide range of perspectives, including urbanism, city and regional planning, architecture, art school pedagogy, art history, contemporary art practice and theory and diaspora/exile studies.
Bauhaus Effects and Contemporary Art
Given that this will be one of many conferences happening across the EU for the 100 year anniversary of the Bauhaus – for this particular strand of the conference we feel at liberty to bypass those hegemonic legacies of the Bauhaus that might lead to historical or nationalist claims being celebrated without being problematized.
Hence, the contribution to the conference from the School of Visual Culture, NCAD is a strand in the programme that will consider the legacies of the Bauhaus in the context of contemporary art. We will interrogate alternative geographies and ways of working, thinking more about inhabitations of discipline and “school” such as the artist-teacher, radical pedagogies, student bodies, and so on.
Introductions and welcomes by the CONFERENCE TEAM/ AMBASSADOR etc.
Keynote 1: Heika Hanada, Bauhaus University, Weimar, Germany, CHAIR: PROF. KATHLEEN JAMES CHAKRABORTY
THURSDAY: 5:30 – 7pm
Panel 1: Bauhaus Effects in everyday life CHAIR: LISA GODSON
FRIDAY: 10:00 – 12pm
- Andrew McNamara (Queensland University of Technology, Australia): Bauahus effects and contemporary art
- Mariana Meneses Romero (Nottingham Trent University, UK): Vidal Sassoon and the Bauhaus
- Kerry Meakin (Dublin Institute of Technology): The Bauhaus Effect on the Fundamentals of Window Display
- Jonathan Foote (Aarhus School of Architecture, Denmark): Toys and the Innocent Eye: Bauhaus Toys of the 1920s
Panel 2: Paradigm Shift CHAIR: Dr SABINE KRIEBEL
FRIDAY: 1:00 – 3:00pm
- Patrick Roessler (Erfurt, Germany) “New typography”, the Bauhaus, and its Impact on Graphic Design
- Dietrich Neuman (Brown University, USA) Space-Time and the Bauhaus
- Aleksi Lohtaja (University of Jyväskylä, Finland) Bauhaus effects in political economy of Space and Sign
- Jan Frohburg (University of Limerick) Bauhaus and Aircrafts
Panel 3: Bauhaus Aftershocks CHAIR: DECLAN LONG
FRIDAY: 3:30 – 5:30
- Vanessa Troiano (City University of New York, USA) The “Bauhaus Idea” in Robert Rauschenberg’s Blueprints
- Jordan Troeller (Berlin, Germany) Lucia Moholy in Turkey
- Ruth Baumeister (Aarhus School of Architecture, Denmark) Bauhaus Effects In and out of Scandinavia
- Katharina Elvén (Stockholm, Sweden) Aspects of Doing – The Photographic and Photographed Activity at the Bauhaus
CONFERENCE DINNER: NCAD: 6:30-9:00
Panel 4: Bauhaus Effects through pedagogy CHAIR: FRANCIS HALSALL
- Suzanne Strum: Knud Lönberg-Holm and Michigan
- Ingrid Mayrhofer Hufnagl: Klee’s pedagogy and computational processing
- Philip Glahn: Radical pedagogy of Bauhaus, art as social labor
Keynote 2: Irit Rogoff, Goldsmiths, University of London, UK
CHAIR: DR SARAH PIERCE
SATURDAY 11:30 – 1:00pm
Goethe Institut Dublin; National College of Ireland; National Gallery of Ireland ; University College Dublin; Dublin City Council; German Embassy; University College Cork
Francis Halsall, NCAD
Kathleen James-Chakraborty, UCD
Thomas Lier, Goethe Institut
Sabine Kriebel, UCC
Declan Long, NCAD
Sarah Pierce, NCAD
Heidrun Rottke, Goethe Institut
A conference organised by the National College of Art and Design, University College Cork, University College Dublin and the Goethe Institut Dublin – 7-9 February 2019
As the centenary of the founding of the Bauhaus approaches, we seek contributors to reflect on the legacy and resonances of the innovative artistic, architectural, design and teaching practices developed there.
Bauhaus Effects aims to assemble an interdisciplinary collection of papers that analyse the repercussions of the legendary Bauhaus school in the hundred years since its inception, considering the ways in which the broad range of practices — including material analysis, models of pedagogy, textile and wallpaper composition, theatre staging and costume design, photography, and interior systems – have transformed everyday experiences from the 1920s to the present day.
Bauhaus innovations and models of thought continue to resonate within the contemporary built environment, from chair construction to skyscraper design, from interior spaces to urban topographies, warranting a thorough, methodologically diverse studies of its effects a century after the school was founded.
Bauhaus Effects aims to investigate the continuing impact of the Bauhaus on an impressive range of contemporary practices across the globe. We propose that the Bauhaus was not just a radical art school but in fact initiated a fundamental paradigm shift in design culture whose import is ripe for assessment a century on.
We welcome papers from a wide range of perspectives, including urbanism, city and regional planning, architecture, drama and theatre studies, art school pedagogy, photo history, art history, contemporary art practice and theory, design history, corporate design and diaspora/exile studies.
Keynote speakers will include Prof. Heike Hanada, the architect of the Bauhaus Museum currently under construction in Weimar.
Please submit a 300-word abstract and a 50 word biography by 1 July 2018 to:
Kathleen James-Chakraborty: Kathleen.email@example.com
Francis Halsall: firstname.lastname@example.org
Sabine Kriebel: email@example.com